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(Source-DGM Calender 2009)..good wishes..
:: Posted by AndrewJohn on June 11, 2015
..enjoy a reasonable sized piece of cake and glass of something nice to celebrate John Wettonís 10th June birthday... and other KC similarly star dated alumni recently.
Thanks for continuing years of wonderful sounds, music, vision and inspiring energy. Funny how the few notes of music rearranged, reinterpreted and expressed can forge so much pleasure and engaging truths. Long live RíníR.
Sadly the birthday listed on the calendar as the 10th should be the 12th!
Presale for Toronto 11/21
:: Posted by Irissky on June 09, 2015
Does anyone know how to access either the Ticketmaster Presale or the Radio presale which ENDS 6/11 at 10am ?
Did I miss it?
:: Posted by markmmarkm on June 09, 2015
I havenít peeked in in awhile.
Whatever happened to the idea where we submitted questions and the band members answered?
Robert and Mel were the only members of the band who were able to find time to answer the questions. Some of Robert's answers can be found here and here. Mel's Q&A session is awaiting editing.
:: Posted by tim7777 on June 07, 2015
Thank you bill for playing the drums.Iím a drummer been playing since age 3 now Iím teaching my son.He asked me who do I like on the drums. I told him bill bruford. &AllenWhite &AL. Foster.Thank you so much . Best regards from Tim&little tim.gy
:: Posted by simonmacvicar on June 07, 2015
there is no real soundscapes dvd of robert solo which would include all the great things he does including the soloing-as separate bonus on the project 6-belew/fripp duo.But most have all the material contained in whole sets of 2/21/2/26/06&2/27/06.If there does wxist this he should think of maybe doing soundscapes for true 5.1 dvd quality in blu ray quality.Many buyers and if a lot of the louder soloing on those 3 2/06 sets the deepest dvd ever.
Harris Flug-shot in close up where it is the closest shot showing face and hands on instrument at all times-no cutaways so we miss anything he is doing-blu ray allows a lot of time!
Starless Starlight album
:: Posted by throbber on June 06, 2015
Amazon will sell me this album as MP3 for GBP5.49, but I canít see it for sale anywhere else (eg, Burning Shed) other than as a CD. Before I send money to Amazon (whom I hate) may I ask if it is or will be available as MP3 from other vendors? Or have I just missed it?
The tour 2015
:: Posted by Inkmorr on June 06, 2015
My name is Ingemar and I live in Gothenburg, Sweden and this is my first post here, but I have followed DGM for several years.
Iím really happy and excited about going to Brighton in september for the concert with KC. Iíve been a fan since 13 years of age when the first album was released and the music has been a great inspiration. This wil be my first KC concert. I play guitar myself and once attended a crafty guitar seminar in Norway in 1989 where I learnt and practiced a lot. Though much of the music I have played has been more in a postpunk territory, Crimsons music and Robert Fripps playing has always made an impact. And I really loved his partcipation with Bowie, Talking Heads, Flying Lizards etc.
So, have a nice and musical day and Thanks for nice reading here at DGM.
barriers to music
:: Posted by bloggulator on June 05, 2015
Regardless of quality of audio reproduction, one of the limiting factors is the environment in which the listener is absorbing the music - or attempting such. Much listening is done in vehicles, where a (usually) garbage sound system is competing with the noise of the engine, traffic, street sounds, tires on the road, wind noise, conversation and the like - and, of course, driving demands concentrating more on an ever changing traffic situation, rather than whatís coming out of the speakers. In this, or other similar and common situations, the experience of "listening" is relegated to "partly hearing". Even in fine car audio systems, many of the subtleties of the music are rendered inaudible or go unnoticed because of the inevitable background noise. One of the other common music-absorbing situations - via ísmartphonesí isnít much of an improvement - where often cheap íní nasty headsets and mp3 audio compromise the music - even in more ífriendly" listening situations. And as for laptop speakers.....
How is it possible to listen to *all* the music, as intended by the composer/songwriter, when so many barriers get between the source - and the destination - the ears? The ongoing change of listening habits - prompted by mobile devices etc. have also resulted one of the most anti-musical practices in recording history - the dreaded "volume wars". Mastering engineers (often against their better judgement) are often obligated by the industry to squash the dynamics using brick-wall limiters, multi-band compressors and the like and then pump the overall level into clipping and overload - just so Artist Aís record sounds louder or "more impressive" and "attention getting" than Artist B. "Quiet passages" cease to be.
Even though I am an admitted audio snob (!), and have been since I was in my teens, how did one of the greatest pleasures that humanity can experience - listening to music - devolve into such a puerile situation of "mineís louder than yours"?
Audio Quality & Bitrates....Gunn
:: Posted by emory0 on June 04, 2015
As for audio quality, I would say that the difference between an excellently mastered CD and a higher bitrate audio format (like DVD-A or, my favorite, SACD),are subtle. Certainly, it will be difficult if not impossible to detect the difference on laptop speakers. On a decent high(er) end audio rig, you do hear a difference I would call significant, but the difference isnít so much in terms of hearing a lot of specific details you canít hear on the well-mastered CD, itís more in things like dynamics (which are far less hurt-y on the hig rez formats) and "space", particularly the space in which the recording was made. I find them a lot more music-friendly than even good CDs.
I think people who call the higher resolution formats "snakeoil" and those that also believe, because they canít hear a difference, no one else could either.
As for Trey Gunnís new CD, which heís charging $20 for, Iíve decided to buy it because a) Yes, Iím sure itíll be great, but b) Iíve decided to buy the CD just because I find the ornery-ness of Trey Gunnís pricing hilarious.
Tony Levin in Downbeat
:: Posted by Chris_DeVito on June 03, 2015
The July issue of Downbeat includes a transcription of TLevís solo (on electric cello) on "Havana" from his album Levin Brothers.
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