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:: Posted by gojikranz on August 24, 2016
pretty much every release of the wetton era is redundant if you have the three boxes, though I suppose the great deceiver box has some exclusive edits if you are a crazy completest (and if you have the boxes this may be a fair bet...).
I would probably be cautious about dumping the champagne urbana sessions and rehearsals and blows given how in thrakboxx they did not include every track from the vroom session and Nashville 98 sessions discs.
to answer the last question
:: Posted by Undisciplined on August 24, 2016
Clearing shelf space is also a concern of mine, as is regaining some value for the redundant CC discs with On and Off the Road contents as replacements.
According to my best:
Moles Club, Bath
Live in Munich
Live at Cap díAgde
Rehearals & Blows
Absent Lovers (obviously not CC)
Neal and Jack and Me (DVD)
More Room, More Room!
:: Posted by Petitwazoo on August 24, 2016
As someone pushed for shelf real estate, a question to the forum.
Has anyone already listed what discs, including KCCC, are made completely redundant by the issuing of the big boxes?
If not Iíll start looking into it myself.
:: Posted by JBeerLTIA on August 21, 2016
I must agree, the Collins/Fripp exchange is fragile genius. Sailorís Tale was the song that cemented my fate into being a Crimson diehard. Anyone else get the hairs standing up on their neck when that loud ass horn comes in? Also, does anyone know how that sound was made?
:: Posted by mGarnice on August 18, 2016
The studio version of Sailorís Tale is a rightly celebrated Crimso classic. Dense and dynamic, itís a parade of highpoints. But thereís one section thatís in danger of being over-shadowed by the songís famous guitar solo and famous drum fills thatís worth your full attention.
Jump to the minute and a half mark (or a little later on the 30th Anniversary Edition). Thereís a jam between guitar and sax thatís 60 seconds pure dynamite. Its abstract, but grounded in the down and dirty. Its jazz and rock and strange. Itís one of Collinís best solos and one of Frippís oddest, somehow managing simultaneously to be wild and subdued. Itís the perfect set up for the famous guitar solo that follows, but itís also a quintessential Crimson blow in its own right.
How great that recording is! And how great that KC is currently performing this piece live with a lineup that does it justice.
KC Tour 2016 Rehearsals?
:: Posted by brighton on August 16, 2016
Does anyone know if Crimson are rehearsing for the upcoming tour? Thereís been no DGM news on this and I was wondering if new material or any improvs were planned otherwise I guess we can look forward to a mix of old and new again which would be no bad thing.
KC in Brazil
:: Posted by petronijr on August 15, 2016
Dear all, do you have plans to come to Brazil? You have a lot of fans here!
David Enthoven . . . .
:: Posted by cloudscapes on August 13, 2016
Sad to hear about the passing of the E of EG -- David Enthoven. From my perspective on the other side of the pond it seems that EG really was dedicated to their artists and open to new ideas. But amidst the sadness I canít help but think that Enthoven smiled every time he thought of Sinfieldís little tip-o-the-hat, "Come Saturday jump chopper, Chelsea brigade . . ." Indeed, happy trails Mr. Enthoven . . . Cheers!
Re: KC tour
:: Posted by richardrogers on August 12, 2016
Bristol KC fans unite! I too was dreaming of a Bristol Colston Hall gig. But Cardiff came up instead and a friend whoís only a casual fan (compared to me at least) bought tickets for the two of us as a chemo completion present. Great gig. And we talked of nothing else for the 90 minute drive home.
Re: KC Tour
:: Posted by pauldoyle29 on August 12, 2016
herbertbass - I also live in Bristol, and I was hoping for a concert at the Colston Hall as it was in keeping with the capacities of the venues on the UK tour.
However, I just jumped on a train for less than an hour and saw the concert in Cardiff - I hope you managed to do the same, it was absolutely fantastic!
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