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May 02, 1995  |
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Teatro Smeraldo Milan, Italy |
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Notes
Instead of the tentative Discipline which opened the gig in Austria, Milan is greeted with a full-on Vrooom. It’s a better decision because right off the bat, the group sound assertive and in control of their surroundings. Even the slight stumble early in Frame By Frame can’t unseat this ferocious beast of a rendition - no wonder Belew can be heard exclaiming “Alright!” off mic at its conclusion.
The gigs came at a time when many commentators would ask what Trey Gunn was playing, as often his contributions couldn’t be heard or discerned. Well, take a listen to One Time where his tender lines waft across the music from the very beginning, surreptitiously weaving in and out of the track to subtle but gorgeous effect. After attacking Red with gusto (and a dropped octave on the lead line), Fripp’s radiophonics interlude, and a racing B’Boom, once again it’s Gunn who acts as principal colourist on this clatteringly energetic version of Thrak. Ditto the smouldering limbering-up of Talking Drum later in the evening.
After dialing down the energy with a languid Matte Kudasai, and gathering their collective breath with SSEDD, the explosive funk opening of People draws shouts of approval from Fripp as the band revs up the pace to stomp this sucker flat. A second performance of Dinosaur in the encore section of the show has more vim and vigour than the one from earlier in the set. This might be the second date on the tour but its the first one where King Crimson really take to the stage.
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| Tracks
All previews are MP3 192kbps
Personnel
Adrian Belew - Guitar, Voice, Words
Bill Bruford - Acoustic and Electronic Percussions
Robert Fripp - Guitar
Trey Gunn - Touch Guitar, Voice
Tony Levin - Basses, Chapman Stick, Voice
Pat Mastelotto - Acoustic and Electronic Percussions
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Audio Source: Dat Soundboard
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Fan Reviews
     Ignition is on!, Mon., Mar 28, 2011
Written by JPrisco
Really together performance right from the top, just as the description says. Mix begins heavier on guitars than drums, which makes Tony & Trey’s parts especially audible -- just the sort of emphasis appreciated when hearing a string of dates from one tour. The percussion mix improves to good effect by "One Time" and "Red". Special notice for Tony’s upfront bass throughout. Overall not an overwhelming show, but certainly a satisfying one, with tasty bits sprinkled throughout. For all the talk of ’excessive politeness’, let us keep in mind the blatant impoliteness of some of the material; I don’t think my grandma will be listening to "Sex Sleep Eat Drink Dream" anytime soon :)
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