Discipline Global MobileKing CrimsonRobert FrippThe VicarTour DatesDiariesnav_catalogNewsAccountsForumShopSearch Archives
  Travis & Fripp Login | Register | Help

 
Previous Item   May 21, 2009  Next Item SOUND  VISION WORD
    All Saints Church     Broad Chalke, United Kingdom
 
CD Cover Photo

Notes
Following on from the previous evening’s performance at Wimborne Minster, Travis & Fripp decamp to Broad Chalke. Around 50 or so people gratefully exchanged the sweltering heat outdoors for All Saints’ cool stone walls and lofty wooden rafters.

Working in a productive mixture of agreed areas (such as a key or a “feel”) and complete improvisation, the performance is a delicately tightrope walk between two worlds.

Perhaps due to differences of venues, times and the occasion (this was ostensibly a fund-raiser for the local school), the music seemed lighter in tone compared to the more sombre mood struck the previous evening. That said, the appearance of soprano saxophone is almost unbearably poignant on the slowly unfurling interior travelogue of In a Field of Green

Route 23 offers a more oblique insight into their practice as notes and runs move away from each other, in cautious elliptical orbits. The Offering presents a game in three sections: writhing solo flute figures which gradually coalesce into to slow snaking loops; clipped guitar chords, and then the final section wherein Fripp unleashes some patented angular side-swipe soloing.

Perhaps the biggest surprise in this series of concerts was the inclusion of Moonchild. More of a meditation on the main theme than a cover version of the KC original.Fripp’s conversion of a single note into a soaring stratospheric-bound whistle hurtling into the blue at around 4.50 may well be reason enough to grab this gig.

Long term listeners of the Churchscape series will be especially interested in how Theo’s presence alters and enhances the End of Time themes which bring this concert to a spellbinding conclusion.
 

Tracks
Disc Number 1
1.  The Apparent Chaos Of Stone  [PREVIEW]  8.38
2.  In A Field Of Green  [PREVIEW]  7.50
3.  Route 23  [PREVIEW]  2.56
4.  The Offering  [PREVIEW]  7.14
5.  Blue Calm  [PREVIEW]  5.19
6.  Moonchild  [PREVIEW]  5.38
7.  Duet For The End Of Time  [PREVIEW]  7.54
8.  Coda Duet For The End Of Time  [PREVIEW]  6.13

All previews are MP3 192kbps

Personnel
Robert Fripp Guitar
Theo Travis Flute Soprano Saxophone

 


Audio Source: Hard Drive Multi Track

DGM Audio Quality Rating:  out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars

Average Customer Rating:
 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars

Purchase Show
Download FLAC $12.95 (What is FLAC?)
Download MP3 $9.95

 

 

Submit a Review


Band Member Diaries

    Thu., May 21, 2009
Written by Robert Fripp
11.20

DGM HQ.

The street I…



II...



In the window of the Village Shop…



… a poster for tonight’s performance in All Saints’ Church

In from the BPI…

… following on from our little event at the end of last year, I was wondering Robert if you would kindly consider an invitation to be part of a discussion panel that I am putting together for the upcoming BPI Annual General meeting, morning of July 7th in Central London (11.30/12.30). Essentially the theme of the panel is ‘New Ways of Doing Business’ with regard to trading music, and I anticipate it be of about 40 mins duration. Other participants that I am hoping to have on this panel will be Scott Cohen of The Orchard, a very energetic forward looking Digital distributor; Simon Wheeler of the Beggars Banquet label, also a well informed proactive guy working in this area; and Paul Brown Spotify UK guy who is looking to establish this new streaming ad-funded listening service as a new means of distributing music. I’m thinking that amongst other things, you could provide a very valuable perspective from the artist and actual copyright owner point of view. The panel would be ‘moderated by a guy called Paul Brindley of Music Alley, a respected digital music consultancy…

Innocent DGM visitors might be interested in this, from the Spotify website…

We’re music lovers like everyone else.

We want to connect millions of people with their favorite songs by creating a product that people love to use. We respect creativity and believe in fairly compensating artists for their work. We’ve cleared the rights to use the music you’ll listen to in Spotify.

Not quite.

Firstly, no-one that loves music refers to it as product.

Secondly, Spotify put up KC music without asking us; ie without clearing the rights (and later withdrawn). Spotify has yet to explain to us who gave them rights in the first place (this is simple for us as I own / control all of them); or why they assumed they might have had rights. The BPI panel might have been an excellent opportunity to enquire in person.

The industry-word is that Spotify currently has little advertising to support it & few punters are signing up for the subscription service. In my view, Spotify provides an exemplary model of how the new, emerging music industry of digital provision works against the interests of music’s originators & generators. From my reply…

spotify? on the panel? may we spit on his feet, please?

actually, i would reply positively but i am in the retreat house of a dominican monastery near sant cugat, barcelona, with a Guitar Craft course.

please keep me in mind for the next opportunity.

12.26    E-frenzying continues.

14.27    Trev & Mr. Stormy set off on their c. 400 yard journey to the church around 13.30. Theo has just left after a cake-lunch with David…



Shortly, I shall be following. Our performance today is at 17.00 & the retiring collection-plate is to benefit the Friends of Broadchalke School.

18.05    Down the street I…



II...



III...



IV...



V...



VI...



VII...



VIII...



In these pictures, many stories are embedded.

The church I…



II...



III...



Too many wires…



Sounds of a lawn mover in the churchyard diminished around the time David introduced us at 16.59. Most enjoyable for me, and the performance included a request (which is rare).

Now, departing for home.

20.55    Bredonborough.




The Minx & WillyFred were both waiting to greet me. Yippee!



MORE DIARIES

Fan Reviews

 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars4 out of 5 stars5 out of 5 starsNew music, Sun., Mar 28, 2010
Written by DeVito
This is a beautiful collaboration. The expansion of textures provided by flute and sax take the soundscapes to another place, and Travis and Fripp really seem to be listening to each other. Highlights from this concert, for me, include In Field of Green, which features a nice straight-ahead guitar solo, very melodic; The Offering, which has a bluesy flute intro and builds to some good old electric guitar playing, soaring and swooping; and Moonchild, which builds from a delicate intro to some intense electric guitar. Great stuff.

MORE FAN REVIEWS

 

Home | About DGM | Contact Us | Privacy Policy | Terms of Service | Help | RSS Feeds