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New Release Posted: 13 May 2013 7 April 1982    London, London, United Kingdom    Apr. 07, 1982 A wonderfully up-close-and-in-room earful of Levin and Bruford conjuring up a kind of space-jazz that would make up the spine of Requiem during the recording of Beat.
Top Download Customer Rating: Armoury    Wilmington, Delaware    Feb. 11, 1972 Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.

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Currently displaying 461 recordings (Viewing 91 to 100 of 461)

King Crimson No ratings available Alabamahalle    Munich, Germany    Sep. 29, 1982 Tight, complex, and startlingly ambitious, the gig represents the kind of thing Rolling Stone's Chip Stern had in mind when he declared "Crimson creates a new kind of electronic string music that achieves an orchestral density without resorting to ersatz
King Crimson No ratings available Arena    Frejus, France    Aug. 27, 1982 The crowd at this show in Frejus sound very keen indeed considering that not all of them would have been there to see Crimso.
King Crimson No ratings available Arena    Cap D'Agde, France    Aug. 26, 1982 This is Crimson in support-slot mode, wowing the crowds primarily there to see stable-mates, Roxy Music. And a heroic job they make of it.
King Crimson No ratings available The Pier    New York, NY    Aug. 02, 1982 This was the seventh date in a tour that had begun at the tail end of July and it's clear from the soundboard tape that the band are having a ball: the always ebullient Belew croons a couple of lines
King Crimson No ratings available Mann Music Centre    Philadelphia, PA    Jul. 30, 1982 With a team-band liker Crimson it might seem unfair to single out individuals but in this performance Adrian Belew is a dazzling fiery presence. The material he did so much to shape is presented here as a euphoric concoction that
King Crimson No ratings available 12th & Porter    Nashville, TN    Jun. 17, 2001 “Not only are we playing these shows for the pure pleasure of playing in front of you people tonight but we’re also trying out brand new material in the hopes that some huge magnificent band like Tool will
King Crimson Customer Rating: 12th & Porter    Nashville, TN    Jun. 16, 2001 The third night in Nashville finds the room in 12th & Porter hot and sweaty which is exactly how the band found themselves. The early version of Happy With What You Have To Be Happy With) finally finds its feet
King Crimson No ratings available 12th & Porter    Nashville, TN    Jun. 15, 2001 If you want to open a show in barnstorming style then LTIA ptIV is the way to go. Another mix in which the reverb casts the guitars in a wash of sound as opposed to the customary
King Crimson No ratings available 12th & Porter    Nashville, TN    Jun. 14, 2001 “Be sure to name this bootleg ‘Warts And All’” quips a smiling Adrian Belew on the first of four evenings at a particularly hot and sweaty Nashville venue. Replete with cavernous digital reverb effects and a bright somewhat shiny mix
King Crimson Customer Rating: Performing Arts Centre    Milwaukee, WI    Jun. 22, 1974 There are some gigs where, to borrow a phrase, “when it all comes together it is as if the angels descend from heaven on their silver clouds and play their golden trumpets”, and there are others where such heavenly ambitions

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