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New Release Posted: 28 September 2016
House of Music & Dance    Zabrze, Poland    Sep. 18, 2016
Tony Levin has often stated that the running lines of TCOL, originally devised by Trey Gunn, are without doubt the most challenging piece he plays within Crimson. Running through a mental checklist, only when he’s ready does he give the

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Armoury    Wilmington, Delaware    Feb. 11, 1972
Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.

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On This Day 1982
Alabamahalle    Munich, Germany    Sep. 29, 1982
Tight, complex, and startlingly ambitious, the gig represents the kind of thing Rolling Stone's Chip Stern had in mind when he declared "Crimson creates a new kind of electronic string music that achieves an orchestral density without resorting to ersatz
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Currently displaying 614 recordings (Viewing 91 to 100 of 614)

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Park West    Chicago, IL    Nov. 10, 1981
As the tape loop plays out over the PA at the start of the gig we hear one of the punters enquire of another, “which one’s Fripp?” Hopefully as the show progressed the answer to that particular question would become
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The Nitro    Detroit, MI    Nov. 09, 1981
Given that the name of the venue is The Nitro you’d hope that the performance captured on this not too shabby audience recording would be, well, explosive. Thankfully, it is and if you wanted a hint as to how volatile
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Painters Mill Music Theater    Owings Mills, MD    Nov. 04, 1981
“Hello! Still there?” says a breathless Adrian Belew after a stomping rendition of Red. He needn’t have worried - the punters are hanging on King Crimson’s every note. Discipline, Thela and the aforementioned track are all pretty amped up, designed
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King Crimson No ratings available
Warner Theatre    Washington D.C.    Nov. 03, 1981
Near the start of this in-pocket audience recording we can hear punters wondering where Fripp might be located on the stage and regaling those arriving late. Needless to say such clueless behaviour means they are missing out on an astonishingly
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King Crimson No ratings available
Carnegie-Mellon University    Pittsburgh, PA    Oct. 31, 1981
Some Roland keyboard-generated Frippertronics provides a delicate web of walk on music for the Crims before the real McCoy begins the slow intro into Discipline. Once your ears settle into the ambience of this somewhat muddy audience tape, it’s possible
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King Crimson No ratings available
The Tower Theatre    Philadelphia, PA    Oct. 30, 1981
There are times when the sonic quality of this audience recording resembles a series of high speeding cars suddenly braking and then thudding into each other Of course, once your ears finally begin to acclimatise to the shifting murk it’s
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King Crimson No ratings available
The Metro    Boston, MA    Oct. 29, 1981
Following a couple of days playing in Canada, the newly revitalised King Crimson are on pretty devastating form. For all the general muddiness of this restored audience recording, their musicality burns
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King Crimson No ratings available
Concert Hall First House    Toronto, Canada    Oct. 23, 1981
This is a great audience recording that’s a little muddy in places but is eminently listenable. The Canadian crowd are on top form - very boisterous but clearly supportive. So much so in fact they get their own
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No Cameras Please    Albany, NY    Sep. 10, 2014
Here’s the announcement that’s played twice before the band come on stage during the 2014 tour. There’s a rumour circulating that one Crim mentioned he'd like to take a baseball bat the nuts of those snapping pix and recording but

 
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Antone's    Austin, TX    Mar. 25, 1999
The final night of ProjeKct 3 also marks the end of this particular era of the ProjeKct experiment. Freed of the weight accompanying King Crimson, P2, P1, P4 and P3 were all radical and genuinely exploratory vehicles that pointed towards
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