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New Release Posted: 28 September 2016
House of Music & Dance    Zabrze, Poland    Sep. 18, 2016
Tony Levin has often stated that the running lines of TCOL, originally devised by Trey Gunn, are without doubt the most challenging piece he plays within Crimson. Running through a mental checklist, only when he’s ready does he give the

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Armoury    Wilmington, Delaware    Feb. 11, 1972
Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.

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On This Day 1994
Prix D'Ami    Buenos Aires, Argentina    Sep. 30, 1994
The energy levels are way up high in this last night prior to Crimso’s transfer to The Broadway Theatre.
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Currently displaying 614 recordings (Viewing 21 to 30 of 614)

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Mr Stormy's Monday Selection Vol. 8    Salisbury, Wiltshire, U.K.    Mar. 18, 2016
How time flies in DGMLive world, and as BST leaps into action and Easter is upon us. It's time once again for Mr Stormy to let fly his most recent discoveries from the depths of the DGM
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Plumpton Festival    Plumpton, England    Aug. 09, 1969
For King Crimson’s appearance at the 9th National Jazz, Pop, Ballads & Blues Festival, the band were placed low down on the bill with Idle Race, Dry Ice and Groundhogs, and situated in a tent well away from the main
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Queen Elizabeth Theatre    Toronto, Ontario, Canada    Nov. 20, 2015
It’s a strange feeling to hear Larks’ Tongues In Aspic Part One opening a concert after an absence of 40 years from the King Crimson setlist. Strange exhilarating. Just as the original recording served as a kind of overture
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Yubin Chokin Hall    Fukuoka, Japan    Oct. 11, 2000
Out of the skewed sway of Oyster Soup the band go into an extended improv that swirls with glowering electronica, morphing clusters of light and shade, and the rolling groove that provided the foundations for Heaven And
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Sun Plaza    Tokyo, Japan    Oct. 16, 2000
For the last show on this tour in Japan the setlist has been radically revamped. Opening with LTIA Pt IV requires everyone to be fully up to speed from the get-go with no opportunity to build to it, or limber
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Sun Plaza    Tokyo, Japan    Oct. 15, 2000
The Curse Of Vrooom manifests again tonight, this time pointing firmly at the guitarist from Wimborne, who recalls, “In the first Fairy Fingers on F sharp, suddenly I found myself thinking "this isn't sharp - it's
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Festival Hall    Osaka, Japan    Oct. 10, 2000
The curse of Vrooom strikes again as Robert’s correct patch for the track goes awol until just before the first fairy fingers section. The curse also alights momentarily upon Trey who includes a note that definitely wasn’t included in the
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Shi Kokaido    Nagoya, Japan    Oct. 09, 2000
You don’t hear Trey Gunn’s bass so much as feel it during this barnstorming Red, the notes not quite registering in the ears but more in the solar plexus. Then there’s the exceptionally nimble lines he devised for TCOL, which
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King Crimson No ratings available
Shibuya Kokaido    Tokyo, Japan    Oct. 07, 2000
“Thank you very much. Good evening, well, good afternoon,” chuckles Belew remarking upon the fact that King Crimson are undertaking a matinee performance today. Frying Pan finds Mastelotto moving the groove around in the first verse to great effect, enabling
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King Crimson No ratings available
Shibuya Kokaido    Tokyo, Japan    Oct. 05, 2000
It seems no matter how many times it’s performed, and almost no matter which part of the set its placed, Vrooom has the capacity to unseat those playing it. Be it the bass melody over the fairy fingers or the
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