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Music in the DGM Live library is available for purchase in FLAC and MP3 file formats. You may download shows using BitTorrent software or using your web browser.
| New Release |
Posted: 13 May 2013 |
7 April 1982
London, London, United Kingdom
Apr. 07, 1982
A wonderfully up-close-and-in-room earful of Levin and Bruford conjuring up a kind of space-jazz that would make up the spine of Requiem during the recording of Beat.
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Armoury
Wilmington, Delaware
Feb. 11, 1972
Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.
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| On This Day |
1979 |
Polydor
Paris, France
May. 23, 1979
From Germany to France and another record company office date. The Frippertronics tour was conceived as a way of promoting the newly released Exposure and at the same time generate a more intimate and integrated way of engaging with both
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Currently displaying 461 recordings (Viewing 11 to 20 of 461)
| Robert Fripp |
No ratings available |
McGill University
Montreal, Quebec, Canada
Mar. 30, 1983
Discussing the dyad of musician and audience:
“Last November I went to a television studio in Manhattan with The Roches. They had just released a very excellent third album which I was fortunate enough to have
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| Robert Fripp |
No ratings available |
Theatre A, Carelton University
Ottawa, Ontario
Mar. 29, 1983
“I think my position is fortunate that yes I have a high degree of mobility. I think part of that is because I’ve spent a lot of time preparing my
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| Robert Fripp |
No ratings available |
Althouse Theatre, U of Western Ontario
London, Ontario
Mar. 28, 1983
“One very practical down to earth way of putting it is to say that if you manage to get your self, your egotism out of the way, of being a performer or a member of the audience - ‘I paid
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| Robert Fripp |
No ratings available |
Theatre of Arts, Waterloo U. 1st Lecture
Waterloo, Ontario, Canada
Mar. 27, 1983
“How does one work with the industry? What is the industry? What is its function? One way of saying it, if we come back to look at this archetypical tetrad is to say that the industry can fulfill the role
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| Robert Fripp |
No ratings available |
University of Guelph
Guelph, Ontario, Canada
Mar. 26, 1983
“Five people came together with deliberation and spontaneity and worked together without compromise and Schizoid Man came out. The band had so much energy, although it was negative, it had a colossal amount of energy which for a period of
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| Robert Fripp |
No ratings available |
Union Auditorium, Stony Brook U.
Stony Brook, NY, USA
Mar. 11, 1983
Alex Mundy has painstakingly restored the concert experience by matching the surviving original reels with audience recordings to provide us with a close approximation of Fripp's concert and lecture tour.
An interesting set of solos placed amidst the
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| Robert Fripp |
No ratings available |
Rose Room, Rutgers U.
New Brunswick, NJ, USA
Mar. 10, 1983
Alex Mundy painstakingly restored the concert experience by matching the surviving original reels with audience recordings to provide us with a close approximation of Fripp's concert and lecture tour.
“Being a public-type person is a very difficult role for
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| Robert Fripp |
No ratings available |
Neeb Hall, U of Arizona 1st and 2nd Lecture
Tempe, AZ, USA
Mar. 08, 1983
“When did I start Frippertronics? I was introduced to the system by Captain Eno. It was in July 1972. I’d just reformed King Crimson, the gentlemen in Detroit had just left the band and Bill Bruford John Wetton David Cross
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| Robert Fripp |
No ratings available |
Wheeler Auditorium, U.C.
Berkeley, CA, USA
Mar. 06, 1983
“I’d now like to go back to where it is that music comes from. In the past 20 years there’s been a lot of interest in so-called ethnic music and anthropologists have been going out searching down various tribes in
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| Robert Fripp |
Customer Rating:        |
The Roxy First Performance
Los Angeles, CA, USA
Mar. 03, 1983
Alex Mundy has painstakingly restored the concert experience by matching the surviving original reels with audience recordings to provide us with a close approximation of Fripp's The Music System lecture
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