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King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

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New Release Posted: 9 February 2016
Yubin Chokin Hall    Fukuoka, Japan    Oct. 11, 2000
Out of the skewed sway of Oyster Soup the band go into an extended improv that swirls with glowering electronica, morphing clusters of light and shade, and the rolling groove that provided the foundations for Heaven And
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Armoury    Wilmington, Delaware    Feb. 11, 1972
Since Crimso last played the States they’d not only parted company with Peter Sinfield but had managed to break-up during their first writing/rehearsal session in January.

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Currently displaying 391 recordings (Viewing 1 to 10 of 391)

King Crimson No ratings available
Yubin Chokin Hall    Fukuoka, Japan    Oct. 11, 2000
Out of the skewed sway of Oyster Soup the band go into an extended improv that swirls with glowering electronica, morphing clusters of light and shade, and the rolling groove that provided the foundations for Heaven And
CD Cover Photo

 
King Crimson No ratings available
Sun Plaza    Tokyo, Japan    Oct. 16, 2000
For the last show on this tour in Japan the setlist has been radically revamped. Opening with LTIA Pt IV requires everyone to be fully up to speed from the get-go with no opportunity to build to it, or limber
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King Crimson No ratings available
Sun Plaza    Tokyo, Japan    Oct. 15, 2000
The Curse Of Vrooom manifests again tonight, this time pointing firmly at the guitarist from Wimborne, who recalls, “In the first Fairy Fingers on F sharp, suddenly I found myself thinking "this isn't sharp - it's
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King Crimson No ratings available
Festival Hall    Osaka, Japan    Oct. 10, 2000
The curse of Vrooom strikes again as Robert’s correct patch for the track goes awol until just before the first fairy fingers section. The curse also alights momentarily upon Trey who includes a note that definitely wasn’t included in the
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King Crimson No ratings available
Shi Kokaido    Nagoya, Japan    Oct. 09, 2000
You don’t hear Trey Gunn’s bass so much as feel it during this barnstorming Red, the notes not quite registering in the ears but more in the solar plexus. Then there’s the exceptionally nimble lines he devised for TCOL, which
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King Crimson No ratings available
Shibuya Kokaido    Tokyo, Japan    Oct. 07, 2000
“Thank you very much. Good evening, well, good afternoon,” chuckles Belew remarking upon the fact that King Crimson are undertaking a matinee performance today. Frying Pan finds Mastelotto moving the groove around in the first verse to great effect, enabling
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King Crimson No ratings available
Shibuya Kokaido    Tokyo, Japan    Oct. 05, 2000
It seems no matter how many times it’s performed, and almost no matter which part of the set its placed, Vrooom has the capacity to unseat those playing it. Be it the bass melody over the fairy fingers or the
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King Crimson No ratings available
Shibuya Kokaido    Tokyo, Japan    Oct. 04, 2000
King Crimson bulldoze their way into the ears of this Tokyo crowd with the particular barbarous rendition of Red that not only takes no prisoners but at times threatens to storm ahead without various members of the
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King Crimson No ratings available
Kanagawa Kenmin Hall    Yokahama, Japan    Oct. 03, 2000
“Thank you very much. Good evening. Great to be back,” says Belew after the opening number on the first night proper of King Crimson’s 4th tour of Japan. Five numbers into this gig and the band are sounding like they’ve
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King Crimson No ratings available
Tribute to the Love Generation    Tokyo, Japan    Oct. 02, 2000
It’s a very polite smattering of applause from an invited audience that greet King Crimson on the first date in Japan. This play-in gig, not formally part of the tour, is the first time the team has played before an
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