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December 10, 1981  |
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Kakodo Nagoya, Japan |
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Notes
Taken from bootleg sources but sounding great (if occasionally a little boomy), there’s lots of interesting details tucked away in the high drama of the gig. On Thela, as Adrian blows up a note-bending storm Fripp introduces a descending run that has a curious happy-sad dimension to it that we don't normally hear him play. Similarly, on a particularly blistering Frame by Frame, Fripp introduces a variation on the interlocking part immediately prior to the second verse that momentarily takes the song into a slightly different, less forceful direction, before returning to the usual part.
There are some numbers where the bootleg acoustic really adds some atmosphere. The Sheltering Sky, complete with drifting eerie Roland organ notes, sounds as though its main theme is part of some majestic fanfare ushering in some distant procession.
Although Neil And Jack Me had been in the set since October ’81 it’s still notably different to the rendition which would eventually appear on Beat the next year. If that solo at the end doesn’t send you into raptures then maybe you should be listening to KC & The Sunshine Band instead.
Never mind anything else played tonight. The last two numbers - a frankly astonishing Sartori In Tangiers and the ferocious LTIA - make this gig an essential purchase.
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| Tracks
All previews are MP3 192kbps
Personnel
Robert Fripp
Adrian Belew
Tony Levin
Bill Bruford
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Audio Source: Bootleg Cassette
DGM Audio Quality Rating:     
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Fan Reviews
     excellent stuff, Thu., Dec 22, 2011
Written by harmonicscarf
the sheltering sky here is great, Belew gets some REALLY menacing moans during his middle section. the more i hear this song, the more i understand that playing it was a sort of tribute to the awesome beauty of earth and a sort of prayer maybe to the music gods. also the indiscipline is wild....bruford’s solo starts differently and smears unexpectedly into what follows. i recommend this whole tour, even though it’s slightly repititious, there are subtleties in there, the embryonic phase of satori in tangier is exciting, if a little un formulated
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