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King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

King Crimson

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King Crimson

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New Release Posted: 13 May 2013
7 April 1982    London, London, United Kingdom    Apr. 07, 1982
A wonderfully up-close-and-in-room earful of Levin and Bruford conjuring up a kind of space-jazz that would make up the spine of Requiem during the recording of Beat.

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Moles    Bath, England    Apr. 30, 1981
The smoky, sweaty atmosphere of the tiny club is tangible; the place where Red makes its live debut – seven years after it was first recorded.

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Currently displaying 36 recordings (Viewing 1 to 10 of 36)

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7 April 1982    London, London, United Kingdom    Apr. 07, 1982
A wonderfully up-close-and-in-room earful of Levin and Bruford conjuring up a kind of space-jazz that would make up the spine of Requiem during the recording of Beat.

 
King Crimson No ratings available
Moles    Bath, England    Apr. 30, 1981
The smoky, sweaty atmosphere of the tiny club is tangible; the place where Red makes its live debut – seven years after it was first recorded.
CD Cover Photo

 
King Crimson Customer Rating:  out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars
Champaign-Urbana Sessions    Champaign-Urbana, Illinois    Jan. 17, 1983
Originally released in 2002 as KCCC21 The Champaign-Urbana sessions from January 1983 documents the struggle to come up with a third King Crimson album by the line-up that had brought us Discipline (1981) and Beat
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King Crimson No ratings available
Commodore Ballroom    Vancouver, Canada    Dec. 01, 1981
This rather murky audience recording captures Crimson on the last night of their North American tour. Thanks for Mister Stormy’s ministrations a picture of a highly charged band emerges, whose power moves far beyond its humble sonic
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King Crimson No ratings available
Queen Elizabeth Theatre    Vancouver, Canada    May. 30, 1984
“Welcome to the start of the King Crimson 1984 tour of America I hope you know some of these songs and note the discrepancies and applaud our bravery afterwards” says
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King Crimson No ratings available
Alabamahalle    Munich, Germany    Sep. 29, 1982
Tight, complex, and startlingly ambitious, the gig represents the kind of thing Rolling Stone's Chip Stern had in mind when he declared "Crimson creates a new kind of electronic string music that achieves an orchestral density without resorting to ersatz
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King Crimson No ratings available
Arena    Frejus, France    Aug. 27, 1982
The crowd at this show in Frejus sound very keen indeed considering that not all of them would have been there to see Crimso.
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King Crimson No ratings available
Arena    Cap D'Agde, France    Aug. 26, 1982
This is Crimson in support-slot mode, wowing the crowds primarily there to see stable-mates, Roxy Music. And a heroic job they make of it.
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King Crimson No ratings available
The Pier    New York, NY    Aug. 02, 1982
This was the seventh date in a tour that had begun at the tail end of July and it's clear from the soundboard tape that the band are having a ball: the always ebullient Belew croons a couple of lines
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King Crimson No ratings available
Mann Music Centre    Philadelphia, PA    Jul. 30, 1982
With a team-band liker Crimson it might seem unfair to single out individuals but in this performance Adrian Belew is a dazzling fiery presence. The material he did so much to shape is presented here as a euphoric concoction that
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King Crimson
7 April 1982

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