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Previous Item   March 31, 1974  Next Item SOUND  VISION WORD
    Jahnhalle    Pforzheim, Germany
 
CD Cover Photo

Notes
From cautious beginnings Improv II quickly expands into lolloping beast of a track providing what is arguably the best set-up to Exiles to date. As Cross and Wetton hurl fuzzed lines across the stage over one of Bruford’s slow-burning jazz vamps, Fripp introduces one sustained note that lasts somewhere in the region of 37 seconds. An object lesson in making a little go a long way. Looking back on this little hummer of a gig, lyricist Richard Palmer-James offers this observation “What had seemed robust in the music the night before (at Mainz) now became threatening . . . the unsettling power of the performance comes through. In the dressing room afterwards, John sprawled naked on a bench, looking like he'd been shipwrecked; he didn't really recover before he went to bed. Even Robert had a few beers later in the pub. There was a quiet euphoria in the air, as if they'd survived a potentially lethal accident.”
 

Tracks
Disc Number 1
1.  The Great Deceiver  [PREVIEW]  3.55
2.  Improv I  [PREVIEW]  3.20
3.  Doctor Diamond  [PREVIEW]  5.25
4.  Improv II  [PREVIEW]  6.54
5.  Exiles  [PREVIEW]  7.17
6.  The Night Watch  [PREVIEW]  4.55
7.  Lament  [PREVIEW]  4.16
8.  Starless  [PREVIEW]  12.12
9.  Easy Money  [PREVIEW]  6.42
10.  Fracture*  [PREVIEW]  3.02

* source recording is incomplete

All previews are MP3 192kbps

Personnel
Bill Bruford - Drums, Percussion
David Cross - Violin, Viola, Mellotron, Electric Piano
Robert Fripp - Guitar, Mellotron
John Wetton - Bass Guitar & Lead Vocal

 


Audio Source: Board Recording

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Fan Reviews

 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsThe band was simply on fire..., Sat., Dec 1, 2012
Written by jeffoaster
It’s really great that we have access to a bunch of the shows from this German tour. There is so much to like, and the band was scorching for this stretch of shows. The improvs, which tended to be less of a full piece and more of extended intros, are really terrific. The lead-in to Doctor Diamond is downright menacing, and the longer pre-Exiles piece is one of the finer intros to Exiles - I have a soft spot for the Pittsburgh one the following month - but this one is right up there. Starless is still a work in progress, but still a very dominant piece, with Bill Bruford "kicking ass and taking names" as a colleague of mine once said about him.

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