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Previous Item   March 19, 1974  Next Item SOUND  VISION WORD
    Palazzo dello Sport    Udine, Italy
 
CD Cover Photo

Notes
This is the arguably the contender for the oddest download ever released by DGMLive.

Sometime between December 1973 and March 1974 King Crimson came up with a number called Guts On My Side. This was during the same writing sessions from which Starless emerged. Guts and Starless were premièred on this night but whereas Starless went on to become an integral centre-piece of the KC canon, Guts was only ever played once in concert - as far as we can tell - and totally forgotten about until 2006.

The track first came to our attention in January 2006 and although the last three tracks of the show existed on quarter-inch reels, the first reel which would’ve contained the rest of the show was tragically missing from the archive.

Later in 2006 and early 2007, better quality boots were sent to DGM HQ and Alex and David worked on restoring the show so it could be made available. Sadly, the SADIE equipment died under their very fingertips and the work was lost. The curse of Guts had struck! Undeterred, Alex has worked on the show when time permitted and eventually thanks to his efforts we now are able to make this one go live!

Clearly there’s a big health warning attached to this recording in terms of the overall sound quality - so buyer beware.

The bootleg sources went up to Fracture however, Mister Stormy has appended the remaining sound board versions of Exiles, Fracture and LTIA 2 by way of a bonus.

Aside from some first night nerves where various fingers fall to the right chords and notes but not always at the right time,or in the right order, this is not only a cracking performance but in light of the rarity of the Guts track, also a significant one. Our thanks to Alessandro Pizzin and also Mauro and Renzo in Uppotipo for their help in bringing this full concert into the DGMLive archives.

 

Tracks
Disc Number 1
1.  No Pussyfooting  [PREVIEW]  0.28
2.  Improv Some Pussyfooting  [PREVIEW]  1.28
3.  Larks Tongues In Aspic Pt I  [PREVIEW]  9.06
4.  Lament  [PREVIEW]  4.10
5.  Doctor Diamond  [PREVIEW]  4.49
6.  The Night Watch  [PREVIEW]  4.36
7.  The Great Deceiver  [PREVIEW]  3.54
8.  Guts On My Side  [PREVIEW]  4.55
9.  Improv II  [PREVIEW]  9.50
10.  Starless  [PREVIEW]  12.21
11.  Book Of Saturday  [PREVIEW]  2.45
12.  Exiles  [PREVIEW]  7.03
13.  Fracture  [PREVIEW]  11.07
Disc Number 2
1.  Exiles  [PREVIEW]  6.47
2.  Fracture  [PREVIEW]  11.28
3.  Larks Tongues In Aspic Pt II  [PREVIEW]  6.34

All previews are MP3 192kbps

Personnel
Bill Bruford - Drums, Percussion
David Cross - Violin, Viola, Mellotron, Electric Piano
Robert Fripp - Guitar, Mellotron
John Wetton - Bass Guitar & Lead Vocal

 


Audio Source: Bootleg CD

DGM Audio Quality Rating:  out of 5 stars3 out of 5 stars3 out of 5 stars3 out of 5 stars4 out of 5 stars

Average Customer Rating:
 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 stars

Purchase Show
Download FLAC $12.95 (What is FLAC?)
Download MP3 $9.95

 

 

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Fan Reviews

 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsGuts, Wed., Jul 18, 2012
Written by paulstewartkent

     Sound quality is ok for a DGM bootleg, Robert and David’s lines can be easily heard.  Guts on My Side is a fun tune that sounds like the Islands bands’ kind of groove, with a number of twists.  On the one hand, it does live in the land of the 70’s rock band funk groove, with the verses sung over dom 7 chords, and the guitar often doubling a bass line that leaves plenty of room for for an active vocal line or violin fills.  Think the foundations of early Zep tunes when Page would double JPJ and develop a strong rock groove, but with more of a funk feel than Zep used.   On the other hand, it is the 74 KC band, distinct with Wetton’s voice (and hard attack on bass) and Cross’ violin.  A fun four measure unison (guitar and violin) ascending 16th note run  connects a couple of verses (fast unison being something not heard much since Pictures of a City), like a rock version of Mahavishnu’s Open Country Joy.  The solo break is Fripp and Cross in canon using scorching tone, followed by Cross playing a much more bluesey/country/rock solo than usual for KC material. 

     I would have liked to hear the band after a year of playing this tune, this performance is the bones and very straightforward, and we know what this band did to Easy Money every night (even injecting humour at times in the guitar parts).  As mentioned by others, the band returns to Guts’ basic groove and the turn-arounds as improvs later in tours, but the song works, too.

     An interesting exercise would be to imagine this song done by the 1974 Elton John band, or even the Boz band. 

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