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October 06, 1973  |
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University Of Texas Arlington, Texas |
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Notes
With over a dozen dates under their belts Crimson were really hitting their stride, playing a high-energy show and unveiling new material such as The Night Watch, Lament and Fracture. In the latter’s case, it’s so new that the paint is still wet with a couple of sticky moments evident around the intro.
However, the real surprise comes around the 6.30 mark in Fracture - with an unreleased section they later discarded, propelled by a mighty Wetton bass line that reappears on Red’s Starless. An improvised section prior to those familiar rasping chords adds a pinch of wonder to this tale of the unexpected, making it a glimpse of an alternative Fracture.
A vintage improv, driven by Bill’s rhythm box, features great thunking chunks of bass, laser-beam guitar, screeching violin lines, swathes of Mellotron and some ebullient Bruford mayhem make this an Asbury Park style must-have.
The final 20 minutes of this gig are astonishingly good with one of the best Talking Drum doing the rounds, and if you’ve think you’ve heard all the Schizoid Man you’re likely to need, then think again. The chaps were on form in cowboy country – yee, and indeed, haaa!
Thanks to caption competition winner GeeJay for picking this gig.
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| Tracks
All previews are MP3 192kbps
Personnel
Bill Bruford - Drums, Percussion
David Cross - Violin, Viola, Mellotron, Electric Piano
Robert Fripp - Guitar, Mellotron
John Wetton - Bass Guitar & Lead Vocal
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Audio Source: Very good quality bootleg
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Fan Reviews
      Starless and Bible Fracture, Fri., Oct 12, 2012
Written by jeffoaster
If you’re going through the reviews of this one, you’ll no doubt notice that this one has been around for awhile. Indeed, I bought it about five years ago myself. The big appeal for this concert is for the early version of Fracture, which has an extended middle section featuring parts of a different King Crimson tune that has achieved classic stature. So it’s good that they trimmed that portion out. Plus it seems to disrupt the flow of the song too (which could be simply a matter of me having heard the song tons and tons of times before hearing this version). Fracture is an interesting tune to follow the development. This version is relatively subdued. It seemed to get more intense the more it was performed, culminating in what almost sounded like a three way struggle between Wetton, Bruford and Fripp to see who could dominate more.
The rest of the concert is top notch as well. A storming version of LTiA which opens the show is a particular highlight. I can’t really say that I’m much a fan of the Music Box improv. There are some quirks with the setlist. There is no Dr. Diamond, which may have been put on the shelf for this tour since it wasn’t performed in the Oct 23 set either, and no Improv to lead into the Talking Drum.
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