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Previous Item   July 27, 1981  Next Item SOUND  VISION WORD
    Washington Square Church    New York, NY
 
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Notes
After completing the first round of concerts with a revived King Crimson, Fripp headed over to the USA where he began a week-long residency at Washington Square United Methodist Church on 135 W Fourth Street in New York. Built in 1860, the church had historically been home to many congregations but in more recent years had become the venue for groups such as the Black Panthers, Gay Men’s Health Crisis and numerous arts organisations.

The series of Frippertronic concerts were held in aid of a Soho-based theatre group and they find the guitarist using his technique of slowly building he music from the ground up, step by step. It’s an approach which demonstrates how the addition or subtraction of a single note can change the entire mood of a piece as we move in the space of a few bars from an atmosphere of pensive anticipation to one of yearning hope.

Perhaps of greater interest to long-term fans of the genre is the introduction of cyclical lines in Test Loop and Solo which remind one of the way they infused his Discotronic pieces (as heard on Under Heavy Manners), and which formed the musical spine of much of the League of Gentlemen and Discipline/King Crimson. There are moments when Fripp sounds like he’s running against a clock, the notes only just managing to keep pace with the tempo of the returning echoes. There’s a moment where a sequence of laser-beam like notes presages the tumbling melody of Easter Sunday - still a couple of years from being formally recorded.

The temperature really rises on Loop I and Solo however as Fripp’s solo lines tear ragged strips out of the air. There are points when notes appear to be scooped from a slurry of buzz, static and signal decay, and thrown into the air to be transformed into dazzling lines of gleaming beauty. How does he do this? Where does it come from? Answers on a postcard please...
 

Tracks
Disc Number 1
1.  Test Loop   4.51
2.  Loop I   6.40
3.  Loop II   9.05
4.  Loop III   10.27
5.  Test Loop And Solo   4.48
6.  Loop I And Solo   6.33

Personnel
Robert Fripp

 


Audio Source: Reel To Reel

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Fan Reviews

 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsFantastic !, Wed., Oct 13, 2010
Written by microbunny

Another wonderful set of Frippertronics !  Thank you Mr. Mundy ! Loop III is an incredible piece of music and (in my humble opinion) the highlight of the set.  Robert’s solo over top of the Test Loop does remind one of his performance on Zero of the Signified from the Under Heavy Manners LP release.  This is something also begging for a proper remastering and re-release from this era.

For those interested in trivia...Loop I was often (if not always) played as the opening introduction music for King Crimson during their 1981 tour from October 1981 to March 1982, although rarely hearing more than a couple of minutes of it before they would launch into their opening number.  Very nice to hear it in it’s entirety.

Highly recommended !

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