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March 21, 1998  |
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Great American Music Hall San Francisco , CA |
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Notes
Four days into their first-time tour P2 certainly are rocking out big time. On the first of two days in San Francisco, there’s a looseness to the set which makes this early P2 quite different and distinct from the later period of the group’s brief life.
Happy Hour On Zarg features a tantalisingly lyrical exposition by Fripp and long-term Thrush fans will be interested to hear the track is still in a state of flux and has yet to settle upon the uplifting and often poignant coda it would later be associated with. Whilst P2 was often noted for the playfulness of its performances, there’s also some savage soloing to be found throughout by Fripp and Gunn on Live Groove, House I and X-Chayn-Jiz.
However, as Trey Gunn makes clear, sometimes the soloing isn’t quite enough. “We probably pushed too hard in the beginning of the first set and couldn't bring the music in. So we countered this with more space in the second set and everything came to life. Improvisation is so delicate.”
The strategy worked. After a barn-storming House II, the eerie, desolate beauty of Sector Shift III gives way to the clattering rough and tumble of Deserts Of Planet Zarg (Fripp’s soloing on this track alone makes this gig more than worthwhile), which in turn produces a scorching ProjecKction. Because of the vagaries of the sound board mix, Trey is overly loud on the latter, swamping his band-mates somewhat. Putting that aside however, as Gunn notes “We ended the second set in a savage groove that reminded me more of early Clash then anything Crimson.”
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| Tracks
All previews are MP3 192kbps
Personnel
Adrian Belew - V-Drums
Robert Fripp - Guitar
Trey Gunn - Touch Guitar
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Audio Source: Dat Soundboard
DGM Audio Quality Rating:       
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Fan Reviews
      Fresh ears?, Tue., Jan 5, 2010
Written by essex_sound_lab
I have a significant number of the live ProjeKct recordings, but for some reason this particular one hit me in a new way. I’ve long been a fan of these heady flights of fancy and experimentation, but suddenly the excursion seems more vital. Do I hear Trey doing Weather Report in House I? Had he always been doing that in solos and I just NOW noticed? I don’t recall the elixir of post-rock, jazz, funk and terror mixing nearly as successfully as it seems to on this night. Whether it’s in my listening or the band itself, I’m happy for what I’m hearing.
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